Mombian
October 26th, 2020
Two new picture books show us nonbinary and gender creative kids having imaginative adventures in their fun, welcoming, queer, and sometimes magical communities.
A More Graceful Shaboom,
written by Jacinta Bunnell and illustrated by Crystal Vielula (PM
Press), is a surreal romp of a book that follows Harmon Jitney, a
nonbinary child with âan extravagant collection of belongingsâ that they
find hard to keep organized. They decide a purse is the answer, but
their two mothers and sister are too busy with their own projects to
help. Mama Millie Mapletush, for example, is âbuilding an XJ-6350
Millennium Bipedal Astro Welding Robot from scratch,â whose components
include a dishwasher and a movie theater popcorn machine.
Finally,
a gender creative neighbor says he has a collection of purses, though
he canât quite remember where he put them. He and Harmon look behind a
series of doors that reveal things as varied as a giant Muffin Monster,
polar ice caps, and 66,500 Brussels sprouts. Ultimately, they find the
purses. Harmon selects the purse of their dreams and proceeds to collect
all of their treasured things into it, from belongings to friends,
town, and, well, the entire universe. The magical ending is a
celebration of community and love.
Thereâs an inspired silliness
about the whole tale. Itâs unclear exactly what age group the book is
targeting, though, as the wordiness and level of vocabulary seem geared
far above the usual picture-book range. Not that Iâm against books that
stretch young readers in this regard; adults should just be aware that
they may need to do some explaining as they read through the book with
kids, as least the first few times. What I appreciate most about it,
though, is that the book isnât âaboutâ gender or identity, but rather
about gender diverse characters simply having joyous adventures. We need
more books like this.
Another new book that takes a similar joyous approach is Hooray, What A Day!/ÂĄViva, QuĂ© DĂa! by Molly Allis, available through Allisâ website. The bilingual book is an extension of All Together Now, an animated kidsâ show that Allis is creating. The show stars a child named Frankie, described as gender non-conforming in the show notes,
who uses âtheyâ pronouns and lives with their grandma. Frankieâs best
friend is Jesse, who lives with his two dads and uses male pronouns, but
likes to wear skirts, jewelry, and sometimes makeup. The book takes us
on a day-long adventure as the two friends explore their queer and
colorful community. They go to a parade, visit the community garden,
stop at the cafe owned by one of Jesseâs dads, and make zines at the
local bookstore.
Queerness is everywhereâGrandma makes rainbow
pancakes and has Indigo Girls and ACT UP posters in her kitchen; we see
rainbow and trans flags in the community; and several characters at the
parade are clearly gender creative. More general progressive messages
are also strewn throughout: one character wears a âBlack Lives Matterâ
shirt; the parade marchers carry signs saying, âOtro Mundo Es Posible,â
and âBe the Change.â At the end of the day, after storytime with
Grandma, Frankie reflects on how happy they are to have spent the day in
their community with friends and chosen family.
Hooray, What A Day!/ÂĄViva, QuĂ© DĂa! doesnât have the fantastical tone of A More Graceful Shaboom,
but Allisâ multi-colored people and richly detailed backgrounds are
equally imaginative and fun. Potential readers should know, though, that
while queerness abounds in the community, Frankie and Jesseâs
identities arenât clear from the book alone, but only from the show
notes on Allisâ website. We donât learn that Frankie uses âtheyâ; we
might assume from the illustrations that Jesse is a cisgender, gender
conforming girl; we meet one of Jesseâs dads, but never know he has two.
Itâs true that the story isnât âaboutâ Frankie and Jesseâs gender or
family structure, and as Iâve explained, we need more stories like that.
But is the lack of clarity about their identities a missed opportunity
for queer representation or a chance for readers to assume identities
for them that the readers can relate to, no matter what the author
intended? I leave that to your interpretation. (Now that youâve read
this post, of course, you can inform young readers of the authorâs
intended identities for the characters as you see fit.)
Regardless, the community that Allis depicts is
clearly full of other, if minor, characters who are more obviously
queer, and itâs packed full of queer iconography. Frankie and Jesse are
at ease with it all, so even if their identities are here unknown, this
remains an empowering, queer-inclusive book that will brighten any
bookshelf. Letâs hope there are more books (along with the still-pending
show) about the diverse people of this cheery and inclusive world.





Back to Jacinta Bunnellâs Author Page
Source: Pmpress.org










